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DTSTART;TZID=America/Chicago:20200219T181500
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SUMMARY:Blood Memory
DESCRIPTION:The Native American Film Series presents Blood Memory\,  a true life “dark-horse political thriller”\, tells Sandy White Hawk’s story of adoption out of her home community at a young age and her work to help the “stolen generation” of the American Indian Adoption Era return home.  Intertwined with her saga is that of Mark Fiddler\, an ICWA lawyer whose advocacy as co-council in Adoptive Couple vs. Baby Girl 2013 helped to dismantle the law he once fought to protect (Vision Maker Media). Join Sandy White Hawk for an evening of screening the film and discussion.
URL:https://calendar.augsburg.edu/event/blood-memory/
LOCATION:Sateren Auditorium\, 1977 S 7th 1/2 St\, Minneapolis\, MN 55454\, USA\, 1977 S 7th 1/2 St\,\, Minneapolis\, MN\, 55454-1350\, United States
CATEGORIES:Creative Arts
ORGANIZER;CN="Native American Film Series":MAILTO:marubbio@augsburg.edu
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DTSTART;TZID=America/Chicago:20200221T190000
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DTSTAMP:20200130T201439Z
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SUMMARY:Tienda (A Chamber Opera)
DESCRIPTION:Music by: Reinaldo Moya\nLibretto by: Caitlin Vincent \nBetween 1929 and 1936\, nearly two million men and women of Mexican heritage were deported from the United States and repatriated to Mexico. Prompted by the economic downturn of the Great Depression amid wide-spread anti-Mexican sentiment\, national repatriation efforts took the form of harassment\, brutal raids\, government coercion\, and abuse\, in which anyone who looked Mexican could be targeted by immigration agents and relief workers.  In the end\, approximately 60% of those sent “home” to Mexico were American citizens. \nWhile Los Angeles and Detroit were focal points of the deportation frenzy\, the small Mexican colonia in St. Paul\, Minnesota did not escape the repatriation drives: on November 10\, 1932\, eighty-six people from sixteen families\, or 15 percent of the local Mexican population\, were put on a train to the Mexican border. \nSet against the framework of these deportations\,Tienda tells the story of Luis Garzón\, a Mexican musician who immigrated to Minneapolis in 1886 and opened a small Mexican grocery store\, or tienda\, in St. Paul in the 1920s. While Luis had married an American woman and was fully integrated into Minneapolitan society\, his store served as a community hub for the newest arrivals from Mexico\, many of whom had fled the Mexican Revolution and now toiled in the sugar beet farms of rural Minnesota. \nShifting between Luis’s shop in the 1930s and his early years in America\, Tienda explores the immigrant experience: what must be left behind—and what cannot be forgotten—on the journey to a new home. \nThe opera is composed by Augsburg Music faculty member Reinaldo Moya and will also include the Augsburg Orchestra & The Augsburg Choir. \nPerformances:\nFebruary 21 and 22\, 2020 – 7 p.m.\nHoversten Chapel\, Foss Center\, Augsburg University \nTickets for Tienda:\nReservations available beginning January 20
URL:https://calendar.augsburg.edu/event/tienda-a-chamber-opera/2020-02-21/
LOCATION:Augsburg College Hoversten Chapel\, Minneapolis\, MN 55454\, USA\, 2211 Riverside Ave\, Minneapolis\, MN\, 55454-1350\, United States
CATEGORIES:Creative Arts
ATTACH;FMTTYPE=image/jpeg:https://calendar.augsburg.edu/wp-content/uploads/2020/01/Tienda_no-Titles-150x150.jpg
ORGANIZER;CN="brauer@augsburg.edu":MAILTO:brauer@augsburg.edu
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SUMMARY:Tienda (A Chamber Opera)
DESCRIPTION:Music by: Reinaldo Moya\nLibretto by: Caitlin Vincent \nBetween 1929 and 1936\, nearly two million men and women of Mexican heritage were deported from the United States and repatriated to Mexico. Prompted by the economic downturn of the Great Depression amid wide-spread anti-Mexican sentiment\, national repatriation efforts took the form of harassment\, brutal raids\, government coercion\, and abuse\, in which anyone who looked Mexican could be targeted by immigration agents and relief workers.  In the end\, approximately 60% of those sent “home” to Mexico were American citizens. \nWhile Los Angeles and Detroit were focal points of the deportation frenzy\, the small Mexican colonia in St. Paul\, Minnesota did not escape the repatriation drives: on November 10\, 1932\, eighty-six people from sixteen families\, or 15 percent of the local Mexican population\, were put on a train to the Mexican border. \nSet against the framework of these deportations\,Tienda tells the story of Luis Garzón\, a Mexican musician who immigrated to Minneapolis in 1886 and opened a small Mexican grocery store\, or tienda\, in St. Paul in the 1920s. While Luis had married an American woman and was fully integrated into Minneapolitan society\, his store served as a community hub for the newest arrivals from Mexico\, many of whom had fled the Mexican Revolution and now toiled in the sugar beet farms of rural Minnesota. \nShifting between Luis’s shop in the 1930s and his early years in America\, Tienda explores the immigrant experience: what must be left behind—and what cannot be forgotten—on the journey to a new home. \nThe opera is composed by Augsburg Music faculty member Reinaldo Moya and will also include the Augsburg Orchestra & The Augsburg Choir. \nPerformances:\nFebruary 21 and 22\, 2020 – 7 p.m.\nHoversten Chapel\, Foss Center\, Augsburg University \nTickets for Tienda:\nReservations available beginning January 20
URL:https://calendar.augsburg.edu/event/tienda-a-chamber-opera/2020-02-22/
LOCATION:Augsburg College Hoversten Chapel\, Minneapolis\, MN 55454\, USA\, 2211 Riverside Ave\, Minneapolis\, MN\, 55454-1350\, United States
CATEGORIES:Creative Arts
ATTACH;FMTTYPE=image/jpeg:https://calendar.augsburg.edu/wp-content/uploads/2020/01/Tienda_no-Titles-150x150.jpg
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